Under A Boiling Water
From April 6 to April 29, 2017, What if the World will present Under A Boiling Water by Mia Chaplin. The beautiful rendition of drapery is an important conceptual tool and subject matter for South African artist Mia Chaplin.
The artist works with oil on canvas and on paper, she is seduced by the powers of impasto yet succumbs to the traditional genres of still life, figure, and flower studies in her work. “This work has a narrative that falls in and out of focus,” she says of her current exhibition Under A Boiling River.
“Some of the paintings invite you to enter into them while others are closed doors. I want to set up tensions between the works to reveal an uncomfortable position between what is known and what is concealed,” she adds, writing about the ambiguity of public and private dynamics in the contemporary world. “These paintings act as membranes between me and the viewer. The cloth acts as a symbol of shame and a need for protection.”
Delighting in an interest in the outside world, Chaplin reads widely in fields related to shamanic practice and witchcraft. It’s about power, she says. “Perhaps in the case of making these works I am the shaman using the medium to gain understanding and to work through struggles that I feel I do not have power over. I think that the nature of impasto paintings lends itself to an inherent intimacy between the artist and the audience. Because the evidence of every brushstroke evokes the artist’s presence and purpose, I want this work to remind us of what we are, and to speak of human fear, shame, a desire for power and the politics of intimacy.”
Having hosted her first solo exhibition three years ago, Chaplin has just completed a residency at Nirox, in Krugersdorp, where these issues of seclusion and exposure, shame and exhibitionism have been central to her thinking processes. In recent years, she completed a residency in Portugal which opened up her awareness of the issues she’s currently focusing on.
A bold, yet sensitive painter, not afraid to take on the world with a brush heavily loaded with impasto, Chaplin is rapidly turning critical heads in her painting methodology as well as her verve and choice of fresh colours and subject matter that yearns toward modernist art history.
Mia Chaplin born 1990, in South Africa, completed her bachelor of fine art at the Michaelis School of Fine Art in Cape Town in 2011. Working in oil on canvas and paper, her highly expressive works are characterised by their rich impasto surfaces and visible brushstrokes. Chaplin has recently completed an artist residency programme at OBRAS Foundation in Alentejo, Portugal. She lives and works in Cape Town, South Africa.
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