Sue Williamson: That Particular Morning

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From July 25 to August 31, 2019, Goodman Gallery, Johannesburg will present That Particular Morning by Sue Williamson, an exhibition featuring video installations from No more fairy tales, a series of filmed conversations, which highlight the reality of daily life in South Africa twenty years after the Truth and Reconciliation Commission (TRC).

That particular morning is Williamson’s first solo exhibition in Johannesburg since her prestigious survey show Can’t Remember, Can’t Forget at the Apartheid Museum in 2017.

The exhibition takes its title from the most recent film installation from the series, which features a conversation with Siyah Ndawela Mgoduka, the son of a policeman assassinated in December 1989. The film explores topics around forgiveness, loneliness, respect, and the differing attitudes of two generations toward the processes of the Truth and Reconciliation Commission hearings.

In 2018, Williamson received the prestigious Ellen Kuzwayo Award, which is given to individuals who make outstanding contributions toward the betterment of society and higher education in South Africa. More recently, Williamson’s iconic installation depicting the demolition of District Six, The Last Supper Revisited, opened at the National Museum of African Art in Washington as part of the exhibition I Am: Contemporary Women Artists of Africa.

Sue Williamson (b. 1941, Lichfield, UK) emigrated with her family to South Africa in 1948. Trained as a printmaker, Williamson also works in installation, photography and video. In the 1970s, she started to make work which addressed social change during apartheid and by the 1980s Williamson was well known for her series of portraits of women involved in the country’s political struggle. A Few South Africans is one such a series where she celebrates women who had played roles in the fight for freedom.

Referring to her practice, Williamson states: “You become aware of the audience to whom you speak. In that sense, you think backwards: what you have to say, whom you say it to, and how it will reach the audience. Having to consider your work through the eyes of somebody who knows nothing about you as an artist and what you are doing is a useful exercise.” Williamson has managed to avoid the rut of being caught in an apartheid-era aesthetic, “I am never particularly interested in doing what I did the last time. I take one thing and work it out a number of ways.”

In 2018, Williamson was Goodman Gallery’s featured artist at the FNB Joburg Art Fair, where she exhibited her work Messages from the Atlantic Passage, a large-scale installation of shackled, suspended glass bottles engraved with profiles of 19th-century victims of slavery. This installation was also exhibited that year at Art Basel in Switzerland and at the Kochi-Muziris Biennale in India.

Williamson’s works feature in numerous public collections across the globe, including those at the Museum of Modern Art, New York, USA, Tate Modern, London, UK, Victoria & Albert Museum, London, UK, National Museum of African Art, Smithsonian Institution, Washington D.C., USA, Wifredo Lam Centre, Havana, Cuba, Iziko South African National Gallery, Cape Town, South Africa, and Johannesburg Art Gallery, South Africa.

Williamson has received various awards and fellowships such as the Bellagio Creative Arts Fellowship 2011, Italy, Rockefeller Foundation, the Visual Artist Research Award Fellowship 2007, Smithsonian Institution, Washington D.C., USA and the Lucas Artists Residency Fellowship 2005, Montalvo Art Center, California, USA.

Sue Williamson lives and works in Cape Town, South Africa.


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