Mike-Steve Adeleye: Reining it in
In this interview with Adebimpe Adebambo, Mike-Steve Adeleye takes us through his creative process, stylistic development and his emergence as one of the leading lights of animation in Nigeria.
Did you study Animation Production in a formal institution or were you self-taught?
I’d say a bit of both. I studied film (animation inclusive) at the National Film Institute, Jos, but my passion for animation predates my formal study. I had an Amiga 500 + computer in the mid-90’s that I had already experimented on. It was very limited because it had just 8MB of RAM and I had to work directly on to a floppy disk. An animation of about 30 seconds might end up being saved across several floppy disks, and to output, I would play out directly into a VHS recorder, editing manually with the deck. It was very tedious but I didn’t mind at the time. That was the only way I got to practice what I loved. At film school, I was taught the principles of animation, a solid foundation that I could apply not just to my animation projects but to storytelling. I graduated first with a Professional Diploma in Motion Picture Production with specialization in Directing and then later got a degree in Motion Picture Production with a specialization in Animation. I have not stopped learning since, getting acquainted with new techniques and technologies that aid animation, and doing several tests and experiments at every chance I get.
Please take us through your creative process.
It depends on the project and what is required. However, I always do plenty of research. I go online and begin to comb for references and information about the subject being treated. If it is an animated project, I do several thumbnails to help me get a rough but good visual sense of the story, and then prepare a storyboard and animatic. I also have many conversations with clients to bounce off ideas, exploring the best possible way to achieve their goals.
How difficult was it to set up Emes Pictures Animation Production here in Nigeria and how has the journey been so far?
When we started, animation was very new in Nigeria. In fact, it would have been impossible to run the business solely on producing animation. We based our operations on different aspects of film/TV production and limited animation to in-house projects. This was the status quo for a long time until we made Playground, a short animation about girl child education. The floodgates of animation jobs were thrown open from that point on. We made animations for a very diverse clientele ever since.
Image: http://www.nollywoodaccess.com
For the full interview, watch out for Omenka magazine Film Issue…
Adebimpe Adebambo
Adebimpe Adebambo is the Business Development Officer at Revilo, an art and culture publishing company. She studied Painting at the Yaba College of Technology, Lagos. Adebambo is also a fashion and accessories designer, and her work is concerned with environmental sustainability and recycling. She debuted as a costume designer on Tunde Kelani's award-winning film Dazzling Mirage, garnering for her efforts, 2 nominations in 2015 for an Africa Magic Viewers' Choice Award and an African Movie Academy Award for Best Costume Designer and Achievement in Costume Design, respectively. Adebimpe Adebambo loves to write and is presently working on a storybook.
Recommended Posts
Netflix Partners with Smithsonian African American Film Festival
September 24, 2018
What to Expect in Kemi Adetiba’s ‘King of Boys’
September 10, 2018
The Johnsons as a Social Experiment of the Nigerian Family
September 03, 2018