Fluid: Perspectives in Paint

Fluid: Perspectives in Paint

Barnard Gallery presents Fluid: Perspectives in Paint by African artists Gina Heyer, Jaco van Schalkwyk, Kirsten Lilford, Richard Mudariki, Ryan Hewett, Sarah Biggs, Katherine Spindler, Cathy Layzell, Heidi Fourie, Mj Lourens, Gitte Moller, Ryan Hewett, Fanie Buys, Alice Toich, Anton Karstel, Colijn Strydom, Robyn Penn and Alexia Vogel, which is currently ongoing till June 13, 2017.

Since the invention of photography and the rise of conceptualism, the so-called “death of painting” has been announced by artists and critics alike time and time again. Often cast as a calcified medium in the world of contemporary art, many question or remain dismissive of a painting’s ability to respond to the complexities of a globalised, hypertextual and aggressively digital world. Put to trial against popular contemporary media such as video, photography, new media and installation, painting would seem to fall short – too traditional in a world which modernises at an exponential rate; too rigid in a postcolonial, global society that becomes ever more multifarious; too concrete in a system which sees long-held notions of identity, dissolve and understandings of time and place become more and more immaterial.

It is this notion that exhibitions such as the present Fluid: Perspectives in Paint aim to challenge, by affirming painting’s enduring role in artistic practice and exploring contemporary variations in medium and method, concept and construction. Indeed, the works collected for this exhibition demonstrate that between the poles of abstraction and realism, surface and depth, narrative and chaos, painting continues to offer artists a seemingly inexhaustible space for subtlety, nuance, and invention. Painting’s enduring dominance of the global art market likewise stands testament to its enduring ability to captivate and challenge audiences.

While some of the works on show speak in similar languages – the photorealism of Gina Heyer and Jaco van Schalkwyk, the expressionism of Kirsten Lilford and Fanie Buys, the impasto of Ryan Hewett and Alice Toich, the abstraction of Anton Karstel and Colijn Strydom, the fluid mark making of Robyn Penn and Alexia Vogel – their visual vernaculars remain distinct, maintaining an independence of conceptual thrust and mode of engagement that draws on tradition while remaining unquestionably contemporary. While some may mourn the death of painting, this collection of works presents an alternative vision: one in which the medium is very much alive, essential and enduring both for emerging and established practitioners.

Gina Heyer was born in 1983 in South Africa, and holds a master degree in fine arts from Stellenbosch University. Her work has featured in a number of exhibitions including, Propositions: Max Masters in Visual Arts Students Exhibition, US Art Gallery, Stellenbosch (2009); Threshold, iArt Gallery (now Brundyn + Gonsalves) (catalogue), Cape Town (2010); and Order and Division, Brundyn + Gonsalves (catalogue), Cape Town (2012).

Richard Mudariki was born in 1985 in Seke, Zimbabwe, and holds a bachelor of art degree in archaeology, cultural heritage and museum Studies. Also he studied painting under the mentorship of Helen Lieros and Greg Shaw at Gallery Delta in Harare, Zimbabwe. Mudariki is known for his modernist paintings replete with social commentary. He has featured in several exhibitions in South Africa, Germany and Zimbabwe.



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